Joe Overstreet’s The New Jemima (1964) became a symbol for pride, fighting

-

Joe Overstreet’s The New Jemima (1964) became a symbol for pride, fighting

Joe Overstreet’s The New Jemima (1964) became a symbol for pride, fighting

Joe Overstreet’s The New Jemima (1964) became a symbol for pride, fighting for African-American rights. On view at Tate Modern’s World Goes Pop. #Tate #PopWasPolitical #BlackArt
shivabalaghi Tate Modern used Normal filter and shared for art.

Related Shares


Leave a Comment